Collective: Stories in the Making

Indian Craftsmanship has journeyed across diverse regions and sands of time, with its soul remaining intact in the form of folklore and sacred expertise. It is this rich heritage and the shared dedication of keeping the authentic craftsmanship alive that inspires our menu. Our ongoing process of curation has made us immerse ourselves in the world of unmatched regional artistry.
We discovered the hand-woven elegance and sheen of Maheshwari heritage from Madhya Pradesh, the resilient and eco-conscious beauty of Coir, and the fine and precision-built geometry of the hand-crafted Bamboo Goods. Hence, our collection is a sincere tribute to their work.

Guardians of the Sacred Brush: Honoring the Chitara Family

Mata Ni Pachedi is a sacred, centuries – old, over 750 years old textile art tradition and it translates to “Behind the Mother Goddess” in Gujarati, an Indian Regional Language. The art form’s origin is rooted in the beautiful acts of resilience, starting with the Mughal Invasion, where to avoid religious sacrilege, Chitaras, a Devipujak community – began hand painting the idols of gods and goddesses onto a fabric to protect their faith.

Now entering its eighth and ninth generation, the Chitara Family continues to keep this practice vibrantly alive.

Kiran Bhulabhai Chitara: 8th generation practitioner of Mata Ni Pachedi Art form

Born in 1976, Kiran learned the intricacies of Mata Ni Pachedi from his father, Shri Bhulabhai Chunilal Chitara, at a young age. With over 36 years of experience, he has mastered the art of creating intricate designs using natural colors and traditional technique

Kiran's artistic achievements have been recognized with several awards, including the National Award in 2005 and the State Award. His artworks have been featured at prestigious venues like Rajkot International Airport and the CM House collection. He has conducted over 270 workshops in schools and international universities, training over 5000 students in Mata Ni Pachedi art form. Kiran has also collaborated with institutions like NIFT, NID, and UID, and has conducted workshops at international universities, including the University of Washington and Tokyo National Museum. As a certified GI user of Mata Ni Pachedi, Kiran ensures the authenticity and traditional integrity of his artworks. He is committed to preserving and promoting this art form for future generations, blending heritage with innovation. Kiran's artistic philosophy emphasizes the importance of traditional art forms in modern times, striving to make Mata Ni Pachedi relevant and accessible to diverse audiences. He continues to innovate and experiment with new designs, techniques, and themes, while mentoring the next generation of Mata Ni Pachedi artists